Just re-reading John Fowles' The Tree with whining chainsaws and the clattering of a wood chipper
in the background. My house at Stow has had a line of cypress trees close to
the eastern wall ever since I moved in: they were big then, now they tower
above the house and they give me nightmares.
There was a similar line of trees to the west
which had to go when I extended the house some years ago. My brother-in-law and
I cleared them, bringing down the telephone line and nearly causing a neighbourhood
feud. We burned the felled trees in the back garden as we took them down; the
smoke was so dense that I was completely unaware of the visit by my enraged
neighbour and of his angry castigation of my poor, innocent brother-in-law.
This time, for various reasons, I have employed
professionals and am hoping for an end to my nightmares. Imagine waking up in
the early hours to a strange slithering sound which you cannot identify but
your half-awake mind exaggerates into the worst of horrors. Realising that the
sound was simply the brushing of the branches of those trees against the roof
helped a little, but also reminded me that their roots were undermining the
house itself.
I love trees and destroying them pains me, but
these had passed the line. Twice, I discovered that they had blocked my storm
drains. Their roots had broken into the pipes and extended five metres into the
weepers! Finally, they managed to topple the retaining wall beside them thus
sealing their fate. Sad, but there we are.
If he were still around, I think that John Fowles
would be quite happy with their demise: too regular, unnatural. He remains one
of my favourite authors and a man I would have liked to have met. Exploring the
Undercliff near Lyme Regis recently reminded of him and it was there that I
took this strange photo of my son Rafe and my friend Robert Twigger. Fowles
loved the wildness of nature and you can easily imagine him puzzling over the events
that produced the distorted wonder that the two men are sitting on: they look
like leprechaun out to enjoy themselves. In The
Tree, John Fowles tries to describe his philosophy which itself underscores
his wonderful novels (French Lieutenant's
Woman, The Magus, etc). He believed that science and learning fetter our
ability to enjoy nature. In labelling, describing, cataloguing we bury the immense
joy that can be felt in finding a new flower or shrub or forest. Nature is wild
and by categorising it we box it in, we curtail it: He was not a fan of Linnaeus.
When I write novels, I have only the vaguest
notions of plot and ending. This gives me great enjoyment. Locked within my own
creation, I often cannot wait to get back to it and to see what happens next. Reading
The Tree, I was humbled and pleased
to learn that my favourite author wrote in the same way. I wonder if they encourage
this in "creative writing" courses. Meanwhile, though I very rarely
read a book twice, I might descend once more into Fowles' magical worlds by re-reading
The Magus. That's if I can get it cheaply on Kindle; I do find it hard to read
a "proper" book nowadays.