Adam Smith and Howard Marks

The sun’s been out, I’ve planted 20 more trees and the green shoots of possible guiding opportunities in Oxford are appearing. I’ve also launched another Oxford pub video, and I’ve had my second Covid jab. How do I feel? Calm, a little nervous.

No reaction yet to the jab, but the prospect of guiding reminds me that I have not refreshed that immense store of Oxford facts and stories which allows me to conduct tours to my own satisfaction and hopefully to that of visitors. Why not revise it all you might ask? Well for a start it is too much and secondly the links between the various colleges, university buildings, people, events, and so on are crucial to a good tour. However, there is one bonus of the Covid interregnum, I have advanced my knowledge, and respect for, Adam Smith.

Most of my tours begin outside the college of Balliol, the second oldest of the thirty-nine. I usually relate the fascinating tale of its foundation and then talk about a selection of famous men who have studied there: one of those is the fourth, and our current, Prime Minister; another is Adam Smith who held a graduate scholarship there in the 1740s. Most visitors seem to recognise the title of Smith’s second book, The Wealth of Nations, which is often claimed to be the first to tackle the subject of economics. I am now much more aware of his first book which he thought it his best: this one addresses the tricky subject of moral philosophy. Both books are hard reads and I freely confess that I have not read them. But I have read about them and nowadays virtually attend seminars provided by the Adam Smith Institute which often refer to them.

Adam Smith is sometimes portrayed as the founder of capitalism and economic man (an amoral being driven entirely by selfish motives). In fact he propounds the benefits of free trade to all and a moral approach to self interest which recognises the benefits of social cooperation and the need to be ‘loved and loveable’.

However, if I tried to explain this on a tour I would lose half my audience on political grounds and the other half through boredom. Instead I must switch to Howard Marks, also of Balliol, and Oxford’s most famous drug dealer. Howard was loveable (to some) and he also believed in free trade: specifically in the supply of cannabis. Howard is one of the subjects of my own book entitled the Rogues of Oxford where entry depends on assessment as: charmer, womaniser, drinker, liar, entertainer, corruptor, adventurer and creator. I did not consider Adam Smith for that book, or the very first Adam.

 

Videos, Books and Pubs

 

It’s interesting to compare making videos with writing books. There are similarities of course, particularly in non-fiction where having decided on a subject you begin to assemble the bits and bobs from which your ‘masterpiece’ will be created. For a book that’s the facts and photos that you need to build your book upon and it is much the same for videos, with the addition of clips – bits of videos from elsewhere. The web is a great source for both, but also provides a dangerous temptation to use other people’s work. Actually I’m mostly happy for other creators to use my stuff as long as they ask and they attribute, and I also find that many independents are more than willing to reciprocate. Problem is that the web is cluttered up with agencies such as Getty Images who tempt you in with bogus ‘royalty free’ offers and do not even water mark their stuff to prevent accidental use, and then set their vultures on you. Sigh!

Of course the mechanics of producing a book or a film are quite different, though both involve quite a lot of keyboard bashing: via word processors for books, and video editors for films.  Funny really, but the latter reminds me of my programming days. It’s not exactly technical, but it is quite complex and can be frustrating. I use Shotcut which is free: it’s created by enthusiasts. It has more capabilities than I have yet mastered and can be quite frustrating. It crashes, just like computer programs did in my heyday. And, of course, there’s no one to complain to when things don’t work. Fortunately there exists an enthusiastic bunch of users who are often willing to help when you do get stuck. 

Word processors handle words, formats and such. A video editor handles that plus sound and video via filters, timelines, keyframes and so on. There is also a fundamental difference between them. A word processor deals with a serial flow of words, the video editor has to deal with videos, images, sounds and more in parallel, that takes a heck of lot more computer power. It’s comparable in complexity to building a road versus all of the buildings, bridges, street lighting and services that lie alongside it. But hey, it’s creative. Some people are really good at it. I just get by.

And that’s a prompt to introduce my latest output: two more pubs. The Turf is one of the most popular in Oxford, especially with visitors. It is a hidden wonder crouching beside the old city wall and is the repository of many intriguing stories. The Wheatsheaf, the pub that I nearly took on some years ago, is central Oxford’s key remaining live music venue and even has a pool table. It is under threat: an application has been made to convert it to student accommodation! A fight is going on to save it. As I write I am anxiously awaiting my ‘Save the Sheaf’ T-shirt and hope that my video might help a little in the battle.